Permalink of this case: https://www.universalforesight.com/ufo/cases/11352

Curating the End of The World

Organized by Reynaldo Anderson, Tiffany E. Barber and Stacey Robinson with the Black Speculative Arts Movement, this two-part exhibition brings together an international cadre of artists whose work responds to the COVID-19 pandemic, anti-black violence, climate change, poor governance, trans-humanism, and an accelerating, technologically driven economic system on the verge of collapse.

Curating The End Of The World is an Afrofuturist commentary on the end of our current age and “Cyclical Chaos” as conceived by Sheree Renée Thomas, interrogating the racist pathology and corruption that influences policy around the world. This multi-part exhibition will look at the global existential risks tied to ecology, climate change, anti-blackness, medical apartheid, and responses to the dystopian present.

The exhibition features creative works by Chloe Harrison, Jessi Jumanji, Kinnara : Desi La, Jordan P. Jackson, lovenloops, Zeal Harris, Kimberly Marie Ashby, Stacey Robinson, Patrick Earl Hammi

https://newyorklivearts.org/event/curating-the-end-of-the-world/

Related sector

  • M - Professional, scientific and technical activities
  • P - Education
  • R - Arts, entertainment and recreation

Lead organisation

Black Speculative Arts Movement - Civil society ( Community / Social enterprise )

www.bsam-art.com

Geographical scope

Europe (non-EU), North America, Latin America, Africa ( Canada, Ghana, Nigeria, South Africa, United States of America )

Application Area

  • Sustainable Innovation - A series of art exhibitions are being generated by this exhibition that are part of celebrating the Black imagination globally and that will sustain the Black Speculative Arts Movement as a leading citizen’s social movement for change.

Critical Issues from assessment: